1
00:00:17,720 --> 00:00:18,850
Please!

3
00:00:27,320 --> 00:00:28,820
Idiot husband!

4
00:00:30,740 --> 00:00:32,400
Pay more attention to me!

5
00:00:32,400 --> 00:00:34,280
Or I'm gonna step out on you!

6
00:00:36,910 --> 00:00:39,790
Hiro did you have another
fight with your husband?

7
00:00:41,250 --> 00:00:43,620
This is no fight. This is war!

8
00:00:44,000 --> 00:00:46,130
If I apologize
we're done for good.

9
00:00:52,300 --> 00:00:54,340
Idiot husband!

10
00:00:56,090 --> 00:00:59,350
Pay more attention to me!
Or I'm gonna step out on you!

11
00:00:59,350 --> 00:01:00,810
Kousei.

12
00:01:00,810 --> 00:01:01,770
You...

13
00:01:02,270 --> 00:01:03,730
How can you play the piano?

14
00:01:06,230 --> 00:01:08,150
Why wouldn't I be able to play the piano?

15
00:01:10,480 --> 00:01:11,400
{\i1}Saki!{\i0}

16
00:01:11,780 --> 00:01:13,400
{\i1}Let's turn Kousei into a pianist!{\i0}

17
00:01:14,570 --> 00:01:15,860
{\i1}Kousei's...{\i0}

18
00:01:15,860 --> 00:01:16,910
{\i1}Kousei's...{\i0}

19
00:01:17,820 --> 00:01:19,120
{\i1}a genius!{\i0}

20
00:02:56,090 --> 00:02:57,420
{\i1}I'm heading out now.{\i0}

21
00:02:57,970 --> 00:02:59,010
By yourself?

22
00:02:59,010 --> 00:02:59,970
Yes.

23
00:02:59,970 --> 00:03:00,840
Are you serious?

24
00:03:01,260 --> 00:03:01,930
Yes.

25
00:03:02,970 --> 00:03:04,510
What are you going to play?

26
00:03:04,510 --> 00:03:05,180
Without a violi—

27
00:03:05,180 --> 00:03:06,310
I'm not changing the song.

28
00:03:07,680 --> 00:03:10,440
{\i1}It's not music or anything at all!{\i0}

29
00:03:11,100 --> 00:03:12,940
See I'm pissed.

30
00:03:13,480 --> 00:03:15,440
So I'm going to prove it.

31
00:03:16,480 --> 00:03:19,150
Just how great a musician Kaori Miyazono is.

32
00:03:20,660 --> 00:03:21,870
And besides...

33
00:03:22,370 --> 00:03:24,660
this is a supreme directive from the shrew.

34
00:03:25,200 --> 00:03:27,540
These galas are all about standing out.

35
00:03:30,120 --> 00:03:32,460
Wait this is a violin concert right?

36
00:03:32,830 --> 00:03:34,750
Is that accompanist
going to play on his own?

37
00:03:35,500 --> 00:03:37,050
{\i1}This is all your fault.{\i0}

38
00:03:37,760 --> 00:03:39,970
{\i1}Because you put me{\i0}
{\i1}back on the stage.{\i0}

39
00:03:40,800 --> 00:03:43,300
{\i1}Always. You always move me.{\i0}

40
00:03:46,470 --> 00:03:47,520
{\i1}Look at me!{\i0}

41
00:03:47,930 --> 00:03:49,020
{\i1}Look at me!{\i0}

42
00:03:49,390 --> 00:03:50,520
{\i1}Look at me!{\i0}

43
00:03:51,230 --> 00:03:52,310
{\i1}Look at me!{\i0}

44
00:03:55,230 --> 00:03:56,360
{\i1}I'm going to prove it.{\i0}

45
00:03:57,190 --> 00:03:58,230
{\i1}That I'm incredible.{\i0}

46
00:03:58,900 --> 00:04:01,610
{\i1}That Kaori Miyazono who's named{\i0}
{\i1}me to be her accompanist...{\i0}

47
00:04:02,070 --> 00:04:03,030
{\i1}is even more incredible!{\i0}

48
00:04:11,080 --> 00:04:13,040
{\i1}Once again unprecedented!{\i0}

49
00:04:13,460 --> 00:04:14,920
{\i1}Arima again?!{\i0}

50
00:04:15,590 --> 00:04:17,210
{\i1}This isn't the accompaniment.{\i0}

51
00:04:17,210 --> 00:04:18,340
{\i1}This is...{\i0}

52
00:04:18,920 --> 00:04:20,470
{\i1}Kreisler...{\i0}

53
00:04:20,470 --> 00:04:22,510
{\i1}"Love's Sorrow"...{\i0}

54
00:04:22,510 --> 00:04:24,550
{\i1}Rachmaninoff's Piano Arrangement.{\i0}

55
00:04:31,480 --> 00:04:33,230
{\i1}The song that Saki loved.{\i0}

56
00:04:35,230 --> 00:04:37,480
{\i1}So you've been facing it{\i0}
{\i1}alone all this time.{\i0}

57
00:04:38,980 --> 00:04:39,690
{\i1}But...{\i0}

58
00:04:40,820 --> 00:04:44,950
{\i1}is this the "Love's Sorrow"{\i0}
{\i1}that you've always known?{\i0}

59
00:04:56,670 --> 00:04:58,290
{\i1}Just watch.{\i0}

60
00:04:58,290 --> 00:05:00,630
{\i1}Just watch. Just watch.{\i0}

61
00:05:00,630 --> 00:05:02,340
{\i1}I'm incredible.{\i0}

62
00:05:02,340 --> 00:05:04,050
{\i1}Kaori Miyazono is...{\i0}

63
00:05:04,510 --> 00:05:05,970
{\i1}even more incredible!{\i0}

64
00:05:06,390 --> 00:05:08,890
Gala Concert

65
00:05:09,260 --> 00:05:10,770
{\i1}Unbelievable!{\i0}

66
00:05:10,770 --> 00:05:12,560
{\i1}So powerful!{\i0}

67
00:05:14,640 --> 00:05:16,480
{\i1}What a disappointment.{\i0}

68
00:05:16,940 --> 00:05:19,150
{\i1}He's only venting his anger.{\i0}

69
00:05:19,150 --> 00:05:22,360
{\i1}He's confusing crudeness with ferocity.{\i0}

70
00:05:22,780 --> 00:05:24,450
{\i1}This grates on my ears.{\i0}

71
00:05:27,200 --> 00:05:28,700
{\i1}Huh?{\i0}

72
00:05:28,700 --> 00:05:31,580
{\i1}Was I pounding the keys that hard?{\i0}

73
00:05:32,000 --> 00:05:34,370
{\i1}My whole body is taut.{\i0}

74
00:05:35,750 --> 00:05:37,580
{\i1}This won't do at all.{\i0}

75
00:05:38,630 --> 00:05:40,460
{\i1}This piece isn't...{\i0}

76
00:05:40,460 --> 00:05:42,630
{\i1}This isn't how you play it right?{\i0}

77
00:05:43,970 --> 00:05:46,380
{\i1}Not the song that I{\i0}
{\i1}always listened to.{\i0}

78
00:05:47,220 --> 00:05:49,300
{\i1}The song that was my lullaby.{\i0}

79
00:05:50,010 --> 00:05:51,640
{\i1}This song...{\i0}

80
00:05:57,770 --> 00:06:02,440
{\i1}Even though I can't hear the notes as usual{\i0}

81
00:06:03,650 --> 00:06:06,110
{\i1}I can hear the sound inside me.{\i0}

82
00:06:06,820 --> 00:06:10,530
{\i1}I think it means that{\i0}
{\i1}you're not bound by sounds.{\i0}

83
00:06:10,950 --> 00:06:13,160
{\i1}Wasn't there ever a moment{\i0}

84
00:06:13,160 --> 00:06:15,580
{\i1}when you sensed the notes suffused{\i0}
{\i1}with your desires and emotions?{\i0}

85
00:06:18,210 --> 00:06:21,670
{\i1}Losing the ability to hear the notes...{\i0}

86
00:06:22,500 --> 00:06:24,880
{\i1}I'm sure that that's a gift.{\i0}

87
00:06:24,880 --> 00:06:26,800
{\i1}Kousei.{\i0}

88
00:06:26,800 --> 00:06:28,840
{\i1}Play it more gently.{\i0}

89
00:06:28,840 --> 00:06:31,350
{\i1}Like you're caressing a baby's head.{\i0}

90
00:06:34,680 --> 00:06:37,060
{\i1}Play it like you're embracing him.{\i0}

91
00:06:42,480 --> 00:06:43,610
{\i1}Mom.{\i0}

92
00:06:45,440 --> 00:06:48,660
{\i1}This song... If it were her{\i0}

93
00:06:50,700 --> 00:06:53,700
{\i1}would she have played it like this?{\i0}

94
00:07:05,920 --> 00:07:07,920
{\i1}His playing style just changed...{\i0}

95
00:07:07,920 --> 00:07:09,430
{\i1}He's doing it again.{\i0}

96
00:07:09,430 --> 00:07:11,300
{\i1}The sound is changing.{\i0}

97
00:07:17,730 --> 00:07:19,270
{\i1}Kousei...{\i0}

98
00:07:27,440 --> 00:07:28,950
{\i1}It's Saki.{\i0}

99
00:07:29,900 --> 00:07:31,700
{\i1}Saki is there...{\i0}

100
00:07:35,580 --> 00:07:37,290
Saki!

101
00:07:38,040 --> 00:07:40,080
Even for you that's going too far!

102
00:07:40,080 --> 00:07:43,630
Hitting him hard enough to
draw blood - that's way too harsh!

103
00:07:43,630 --> 00:07:45,460
You call yourself a mother?

104
00:07:45,460 --> 00:07:48,760
Kousei was doing his best
just to make you happy!

105
00:07:48,760 --> 00:07:51,300
Of course I know that!

106
00:07:51,800 --> 00:07:52,970
Saki!

107
00:07:58,390 --> 00:08:02,270
I do know that. But...

108
00:08:04,020 --> 00:08:07,780
I'm running out of time.

109
00:08:10,200 --> 00:08:11,570
Saki...

110
00:08:23,250 --> 00:08:24,580
Help me.

111
00:08:25,590 --> 00:08:27,170
Please help me.

112
00:08:28,800 --> 00:08:31,050
Somebody help me.

113
00:08:31,050 --> 00:08:32,550
The notes.

114
00:08:32,550 --> 00:08:33,970
The piano.

115
00:08:33,970 --> 00:08:35,850
My hearing is...

116
00:08:36,640 --> 00:08:42,640
I can't hear the notes!
Somebody please help me...

117
00:08:43,440 --> 00:08:45,270
Mom...

118
00:08:45,270 --> 00:08:47,190
{\i1}Kousei...{\i0}

119
00:08:47,190 --> 00:08:49,820
{\i1}I'm the one who drove{\i0}
{\i1}you into this corner.{\i0}

120
00:08:50,780 --> 00:08:54,160
{\i1}It's all because I told her{\i0}
{\i1}to turn you into a pianist.{\i0}

121
00:08:56,780 --> 00:08:57,910
I'm sorry...

122
00:08:58,280 --> 00:09:01,790
{\i1}If music only brings{\i0}
{\i1}Kousei pain and suffering...{\i0}

123
00:09:02,290 --> 00:09:03,960
I'm sorry...

124
00:09:03,960 --> 00:09:08,000
{\i1}Then I have no business{\i0}
{\i1}being by his side.{\i0}

125
00:09:08,000 --> 00:09:12,050
I'm sorry... I'm sorry...

126
00:09:13,880 --> 00:09:14,800
Kousei Arima
Sumiya Junior High School

127
00:09:14,800 --> 00:09:15,640
{\i1}But...{\i0}

128
00:09:20,560 --> 00:09:22,810
{\i1}Kousei has returned.{\i0}

129
00:09:25,020 --> 00:09:28,020
{\i1}What made you turn to the piano?{\i0}

130
00:09:28,020 --> 00:09:32,280
{\i1}I want to see that sight again{\i0}
{\i1}with my own eyes.{\i0}

131
00:09:32,280 --> 00:09:34,150
{\i1}That's what made me think...{\i0}

132
00:09:34,150 --> 00:09:37,160
{\i1}That I'd like become{\i0}
{\i1}a really weird pianist!{\i0}

133
00:09:38,070 --> 00:09:40,830
{\i1}After losing Saki{\i0}

134
00:09:40,830 --> 00:09:43,660
{\i1}Kousei met someone who{\i0}
{\i1}means the world to him.{\i0}

135
00:09:45,080 --> 00:09:48,670
{\i1}If Kousei believes in{\i0}
{\i1}that then as a pianist{\i0}

136
00:09:48,670 --> 00:09:52,010
{\i1}how can I not believe{\i0}
{\i1}in the power of music?{\i0}

137
00:09:58,180 --> 00:10:01,100
{\i1}Saki. Be sure to watch this.{\i0}

138
00:10:01,720 --> 00:10:03,930
{\i1}That son of ours{\i0}

139
00:10:03,930 --> 00:10:06,600
{\i1}is about to bid you a last farewell.{\i0}

140
00:10:11,900 --> 00:10:13,150
{\i1}Oh...{\i0}

141
00:10:14,320 --> 00:10:16,740
{\i1}I can't help thinking{\i0}
{\i1}about her after all.{\i0}

142
00:10:17,360 --> 00:10:20,830
{\i1}This song has my mother's scent.{\i0}

143
00:10:22,040 --> 00:10:25,540
{\i1}Who are you going to play it for?{\i0}

144
00:10:27,290 --> 00:10:28,830
{\i1}Will it reach her?{\i0}

145
00:10:29,250 --> 00:10:30,960
{\i1}I hope it reaches her.{\i0}

146
00:10:31,340 --> 00:10:33,670
After I'm gone...

147
00:10:34,050 --> 00:10:36,010
what's going to become of Kousei?

148
00:10:36,010 --> 00:10:38,800
Will he be able to earn a living?

149
00:10:38,800 --> 00:10:40,970
Can he make music his livelihood?

150
00:10:41,760 --> 00:10:47,440
All I can do right now is make him
play accurately faithful to the score.

151
00:10:48,400 --> 00:10:53,480
As long as he has the skills he just
might be able to support himself someday.

152
00:10:55,030 --> 00:10:56,780
What a terrible mother...

153
00:10:57,740 --> 00:11:00,780
There's nothing I can leave that boy...

154
00:11:02,240 --> 00:11:05,620
Will he brush his teeth every morning?

155
00:11:07,370 --> 00:11:11,840
He falls asleep anywhere
so what if he catches a cold?

156
00:11:12,540 --> 00:11:17,840
He isn't good at sports
so what if he gets seriously injured?

157
00:11:18,800 --> 00:11:23,140
I wish I could've stayed with him longer...

158
00:11:24,010 --> 00:11:30,020
{\i1}Will my treasure ever find happiness?{\i0}

159
00:11:36,610 --> 00:11:38,570
{\i1}I knew all along.{\i0}

160
00:11:38,570 --> 00:11:42,570
{\i1}The ghost of my mom{\i0}
{\i1}was a shadow of my own creation.{\i0}

161
00:11:43,200 --> 00:11:45,330
{\i1}An excuse for me to run away.{\i0}

162
00:11:45,330 --> 00:11:47,080
{\i1}My own weakness.{\i0}

163
00:11:48,370 --> 00:11:51,460
{\i1}Mom isn't there anywhere.{\i0}

164
00:11:53,500 --> 00:11:55,090
{\i1}Mom...{\i0}

165
00:11:56,460 --> 00:11:57,800
{\i1}is inside me.{\i0}

166
00:11:59,300 --> 00:12:02,720
{\i1}Yes that's right. The piano...{\i0}

167
00:12:03,260 --> 00:12:05,720
{\i1}is meant to be played like{\i0}
{\i1}you're embracing it right?{\i0}

168
00:12:14,770 --> 00:12:17,110
{\i1}Hey hey Mom?{\i0}

169
00:12:17,110 --> 00:12:20,400
There's both "Love's Joy"
and "Love's Sorrow"

170
00:12:20,400 --> 00:12:23,370
so why do you always
play "Love's Sorrow"?

171
00:12:26,030 --> 00:12:27,870
I play it so...

172
00:12:31,670 --> 00:12:34,290
you'll get used to sorrow.

173
00:12:36,210 --> 00:12:38,090
{\i1}We're all connected.{\i0}

174
00:12:38,630 --> 00:12:41,300
{\i1}Just like the notes{\i0}
{\i1}are intermittently connected{\i0}

175
00:12:41,300 --> 00:12:43,470
{\i1}it's shared by us all.{\i0}

176
00:12:43,890 --> 00:12:45,470
{\i1}Through music...{\i0}

177
00:12:45,470 --> 00:12:47,220
{\i1}With the people you know{\i0}

178
00:12:47,220 --> 00:12:49,560
{\i1}with the people you don't know{\i0}

179
00:12:49,560 --> 00:12:51,940
{\i1}with all the people in the world.{\i0}

180
00:12:55,900 --> 00:12:57,570
{\i1}You come too!{\i0}

181
00:13:00,360 --> 00:13:04,030
{\i1}Just like with her{\i0}
{\i1}I'm connected to Mom too.{\i0}

182
00:13:04,530 --> 00:13:08,120
{\i1}I'm moving forward{\i0}
{\i1}because I believe that.{\i0}

183
00:13:08,870 --> 00:13:11,830
{\i1}So... So...{\i0}

184
00:13:18,090 --> 00:13:20,090
{\i1}Goodbye.{\i0}

185
00:14:05,930 --> 00:14:07,760
{\i1}Goodbye.{\i0}

186
00:14:25,110 --> 00:14:29,280
My knees are shaking.
Guess I'm exhausted?

187
00:14:31,120 --> 00:14:32,450
Kousei!

188
00:14:32,450 --> 00:14:33,790
Kousei!

189
00:14:39,420 --> 00:14:41,670
Hey look at you hot stuff!

190
00:14:42,460 --> 00:14:45,510
If my husband hears that his daughter
threw herself into a man's arms

191
00:14:45,510 --> 00:14:47,260
he'll be devastated.

192
00:14:52,010 --> 00:14:53,890
So did you get to see Saki?

193
00:14:56,350 --> 00:14:58,520
My mom...

194
00:14:58,520 --> 00:15:01,360
She's always been by my side.

195
00:15:01,900 --> 00:15:03,440
Yes.

196
00:15:03,440 --> 00:15:09,160
The way I touch the keys the way I move my
fingers my habit of squeezing the pedals

197
00:15:09,160 --> 00:15:12,160
my tastes the order that I eat...

198
00:15:13,030 --> 00:15:16,500
Mom's in every little
gesture of mine.

199
00:15:17,330 --> 00:15:23,000
We're... Mom and I are connected.

200
00:15:26,970 --> 00:15:31,390
Hiroko... Do you
think it reached my mom?

201
00:15:33,930 --> 00:15:40,350
The way I played my very best...
Do you think it reached Mom?

202
00:15:44,070 --> 00:15:47,490
You dummy. You two really
are connected aren't you?

203
00:15:48,530 --> 00:15:50,740
Of course it reached her!

204
00:16:07,760 --> 00:16:11,930
{\i1}Because of music I was given{\i0}
{\i1}the chance to meet others.{\i0}

205
00:16:13,090 --> 00:16:17,770
{\i1}I was moved by those encounters.{\i0}
{\i1}There are people that I got to meet.{\i0}

206
00:16:18,980 --> 00:16:21,230
{\i1}I got to discover emotion.{\i0}

207
00:16:22,100 --> 00:16:24,270
{\i1}These are all...{\i0}

208
00:16:24,270 --> 00:16:29,690
{\i1}memories that my mother who taught{\i0}
{\i1}me how to play the piano left me.{\i0}

209
00:16:30,610 --> 00:16:34,160
{\i1}Mom I'm happy.{\i0}

210
00:16:35,080 --> 00:16:36,080
{\i1}Thank you.{\i0}

211
00:16:37,200 --> 00:16:38,330
{\i1}Thank you.{\i0}

212
00:16:41,330 --> 00:16:42,790
{\i1}Goodbye.{\i0}

213
00:16:45,250 --> 00:16:47,130
That was so exquisite...

214
00:16:47,130 --> 00:16:49,670
I'm ready to just go home now!

215
00:16:50,630 --> 00:16:52,680
Oh the next performance huh?

216
00:16:52,680 --> 00:16:55,350
I don't want to hear anything right now.

217
00:16:56,140 --> 00:16:59,060
{\i1}I never thought I'd be{\i0}
{\i1}so scared to go onstage.{\i0}

218
00:16:59,970 --> 00:17:01,560
{\i1}Miike...{\i0}

219
00:17:01,560 --> 00:17:03,600
{\i1}Now this is a tough act to follow...{\i0}

220
00:17:04,060 --> 00:17:05,860
{\i1}I want to run away...{\i0}

221
00:17:09,900 --> 00:17:11,610
{\i1}Mom...{\i0}

222
00:17:13,110 --> 00:17:16,490
{\i1}Would I have played my{\i0}
{\i1}heart out like he did?{\i0}

223
00:17:17,160 --> 00:17:20,160
{\i1}Would I have played with{\i0}
{\i1}as much sincerity as he did?{\i0}

224
00:17:21,540 --> 00:17:25,830
{\i1}I want to see if I can sacrifice{\i0}
{\i1}body and soul like that.{\i0}

225
00:17:26,750 --> 00:17:29,750
{\i1}I want to see if I{\i0}
{\i1}can give it all I can.{\i0}

226
00:17:29,750 --> 00:17:31,300
{\i1}Just watch me.{\i0}

227
00:17:34,090 --> 00:17:38,100
{\i1}Right now all I want to do{\i0}
{\i1}is hear my mom's voice.{\i0}

228
00:17:41,100 --> 00:17:44,940
{\i1}Is his playing softer{\i0}
{\i1}than usual? I see...{\i0}

229
00:17:45,810 --> 00:17:48,610
{\i1}So your heart's been pierced too?{\i0}

230
00:17:48,610 --> 00:17:52,530
{\i1}And you're both going to raise the bar eh?{\i0}

231
00:17:58,950 --> 00:18:00,700
That was awesome.

232
00:18:00,700 --> 00:18:03,080
Isn't violin music lovely?

233
00:18:03,080 --> 00:18:05,000
Ms. Ochiai?

234
00:18:05,000 --> 00:18:08,670
I'm glad that I'm a musician.

235
00:18:10,920 --> 00:18:14,880
To obliterate a powerful enemy...
Now that's the ultimate pleasure...

236
00:18:14,880 --> 00:18:16,380
{\i1}A bona fide extreme sadist?{\i0}

237
00:18:16,930 --> 00:18:18,350
Oh! Kousei!

238
00:18:18,350 --> 00:18:19,640
And the foxy lady!

239
00:18:20,390 --> 00:18:21,970
Hey!

240
00:18:21,970 --> 00:18:23,730
Kousei...!

241
00:18:29,520 --> 00:18:30,940
{\i1}Huh?{\i0}

242
00:18:31,360 --> 00:18:36,650
{\i1}Huh? This is so weird...{\i0}
{\i1}I can't find the words to say...{\i0}

243
00:18:37,530 --> 00:18:39,410
{\i1}Freaky...{\i0}

244
00:18:41,240 --> 00:18:42,990
Was it okay for you to just leave?

245
00:18:42,990 --> 00:18:47,000
Well why not? I was just a throw-in
for the throw-in. And besides...

246
00:18:47,960 --> 00:18:51,750
I've got to find that throw-in who
blew me off and rip her a new one.

247
00:18:51,750 --> 00:18:53,760
{\i1}- He's mad?{\i0}
{\i1}- He's mad.{\i0}

248
00:18:54,130 --> 00:18:57,220
All right ready to head home?
I'm exhausted from all this.

249
00:18:57,220 --> 00:18:58,720
I want some juice!

250
00:18:58,720 --> 00:19:01,890
Hey your mom could go for some too.

251
00:19:01,890 --> 00:19:03,260
Tsubaki?

252
00:19:03,810 --> 00:19:06,270
You've got nothing to say to me
after all my hard work?

253
00:19:06,270 --> 00:19:10,610
Huh? Um... You
look all grown up.

254
00:19:11,480 --> 00:19:15,190
What's up with that? I was
hoping you'd praise me.

255
00:19:16,650 --> 00:19:18,240
{\i1}Huh?{\i0}

256
00:19:18,240 --> 00:19:20,950
{\i1}What the heck? So weird...{\i0}

257
00:19:22,080 --> 00:19:25,160
{\i1}If I don't hold them in{\i0}
{\i1}I might shed tears.{\i0}

258
00:19:26,040 --> 00:19:27,040
{\i1}Tears?{\i0}

259
00:19:27,750 --> 00:19:31,790
{\i1}Tears of relief because I was{\i0}
{\i1}able to talk to Kousei normally?{\i0}

260
00:19:32,590 --> 00:19:35,590
{\i1}Or because I was able to{\i0}
{\i1}talk to him normally are they...{\i0}

261
00:19:35,590 --> 00:19:37,970
{\i1}tears of disappointment?{\i0}

262
00:19:52,230 --> 00:19:54,150
31st - Gala Concert

263
00:19:54,150 --> 00:19:57,940
If you were there at the concert
you could've said something to me.

264
00:19:57,940 --> 00:20:00,490
You're as spiteful as ever aren't you?

265
00:20:00,490 --> 00:20:02,200
Ms. Ochiai.

266
00:20:03,070 --> 00:20:07,120
To think that Arima was being
mentored by you. That was unexpected.

267
00:20:07,790 --> 00:20:11,830
After all ever since Saki Arima passed
away you never went near that house.

268
00:20:13,460 --> 00:20:15,670
That boy has changed too.

269
00:20:16,170 --> 00:20:18,550
He's become quite an intriguing musician.

270
00:20:19,010 --> 00:20:22,640
Yes. Instilling something into his music

271
00:20:23,050 --> 00:20:25,390
leaving something in those who hear it.

272
00:20:26,310 --> 00:20:32,060
That kid has taken his first
steps forward as an artist.

273
00:20:32,060 --> 00:20:33,060
But...

274
00:20:35,820 --> 00:20:38,360
The loss of Saki Arima

275
00:20:38,360 --> 00:20:42,450
was tragic for Kousei and for me

276
00:20:42,990 --> 00:20:47,990
but was it really necessary for
Kousei Arima the musician?

277
00:20:50,580 --> 00:20:54,750
{\i1}There's an ever-present sorrow{\i0}
{\i1}hanging over Arima's music.{\i0}

278
00:20:55,630 --> 00:20:59,380
{\i1}The death of his beloved mother{\i0}
{\i1}triggered something in him.{\i0}

279
00:20:59,380 --> 00:21:00,590
Totsuhara University Hospital

280
00:21:01,220 --> 00:21:04,220
{\i1}Then it's a demon's path{\i0}
{\i1}that he must walk.{\i0}

281
00:21:04,220 --> 00:21:05,720
Kaori Miyazono

282
00:21:07,470 --> 00:21:09,970
{\i1}His growth is spurred by sorrow...{\i0}

283
00:21:10,680 --> 00:21:13,690
{\i1}If Kousei is to walk that path{\i0}

284
00:21:15,480 --> 00:21:17,110
Episode 13
Love's Sorrow

285
00:21:17,110 --> 00:21:19,980
{\i1}he might have to lose someone to move forward.{\i0}

286
00:22:38,560 --> 00:22:44,190
Episode 14
Footsteps